CCSS.ELA-LITERACY.RL.11-12.4

By Anonymous (not verified), 12 March, 2026

Revising Literary Research Papers

After you complete the first draft of your research paper, take a break. Then you'll be able to return to it and see it with fresh eyes. That's what the word revision means—seeing your work anew. When you revise, you check the "big picture," looking at the ideas, organization, and voice of your writing. The following activities will help you.

Revising to Elaborate Details

Your research paper should be more than just a list of details: First of all . . . Second of all . . . Thirdly . . . Fourthly . . . . Instead, you should elaborate ideas. You can do so by introducing a concept, looking more carefully at it, defining the terms you are using, giving examples, telling an anecdote, providing historical context, and so on. Note how each of these types of details further "unpacks" the concept, allowing readers to understand it more fully.

In the following paragraph from "The Mind Behind Middle-earth," note how the topic sentences introduce two main points, and the writer explores each point separately, using a variety of details to unfold the picture for the reader. Click on the callouts to view each part.

By Anonymous (not verified), 12 March, 2026

Writing a Literary Research Paper

If you have thoroughly researched your topic, you should have plenty of information to share in your first draft. Relax. Your job at this point is just to get your ideas down on the page. You don't have to get everything perfect right from the start. Instead, write freely, exploring ideas, relating concepts, quoting sources, paraphrasing, making connections. Once you get your ideas on the page, you'll have time to work with them and shape them. Right now, you should just focus on expressing what you've learned about your topic and doing so in a way that makes your curiosity infectious.

Writing the Beginning Paragraph

If you're having trouble deciding how to start, you can experiment with different strategies for catching your reader's interest. (If you'd rather just plunge in to writing your middle paragraphs, go ahead, and circle back to this step later.) Your lead sentence will begin your first paragraph and help to introduce your thesis statement.

Write a lead sentence.

Try out some of these strategies for introducing your research paper. Read the examples for ideas.

By Anonymous (not verified), 12 March, 2026

Prewriting for Literary Research Papers

American novelist Zora Neale Hurston once wrote, "Research is formalized curiosity. It is poking and prying with a purpose." So, the start of a successful literary research paper is choosing a topic that really sparks your curiosity. If you want to find out about a specific book or author or genre or movement, your curiosity will make it easy to gather sources and discover what they have to offer.

By Anonymous (not verified), 12 March, 2026

Reading a Literary Research Paper

Before you start work on your own literary research paper, you should read a paper created by another student. As you read, note how the writer analyzes his topic with a breadth of ideas and a depth of details. He draws evidence from multiple sources, including the fiction and nonfiction of the author as well as historical references. He also connects the literature to larger thematic questions about life itself. Click on the side notes to study these features.

Reading a Student Model

This research paper explores the meaning of the term fantasy, specifically in the works of J. R. R. Tolkien. The overall structure includes a beginning paragraph, multiple body paragraphs, an ending paragraph, and a works-cited page. The writer uses source citations as well as historical context and discussions of theme in the analysis.

By Anonymous (not verified), 12 March, 2026

Writing for Literature Assessment

When you respond to a writing prompt, you should start by carefully reading and analyzing the prompt using the PAST questions. Then you should jot down a quick outline of your response. Do these activities in the first five minutes or so of the time you have. (If the prompt includes a reading, take more time with this step.) You'll spend the bulk of your time creating a beginning, a middle, and an ending. Afterward, you'll want to review your answers to the PAST questions and read your response, making sure it is on target. In the last five minutes or so, revise and edit your work. This abbreviated version of the writing process needs to fit into the total time you are given (often between 30 and 90 minutes).

Viewing a Sample Prompt and Response

Read the following prompt, and view one student's PAST analysis, outline, and beginning, middle, and ending. Then you'll get a chance to read and respond to a prompt of your own.

Sample Writing Prompt

"Romance Sonambulo" by Federico Garcia Lorca focuses on the color green. What does it mean in this poem? How does the poet use it to construct images and tell a story? Write an essay that analyzes the use of green in "Romance Sonambulo" and cites evidence from the poem.

By Anonymous (not verified), 12 March, 2026

Understanding Vocabulary

When you read an unfamiliar word, you need to figure out its meaning based on how it is used. You can use the following context clues to guess a meaning.

Word parts let you assemble meaning from prefixes, suffixes, and roots.

Joshua tended to isolate himself, a habit strongly correlated with his bouts of paranoia.

(The prefix co means “together,” the prefix re means “again,” the root late means "bring," or "bear," and the suffix ed indicates past tense, so correlated must mean “having brought two things together again.")

Cause-and-effect clues let you infer meaning.

Gabrielle kept her nose buried in the novel, her mind wandering the lush lowlands of Scotland beside burly Haemish, claymore at his back, ready for brigands.

(If the burly Scotsman Haemish carries a claymore on his back to deal with brigands, a claymore must be a large weapon—perhaps a sword.)

Definitions embedded within the text spell out the meaning.

Jon was born on a military base and would die on one, a lifer, but for me, the Army was a means to a much bigger end.

(Since "Jon was born on a military base and would die on one," a lifer must be "a person who spends a lifetime in a given activity.")

A series includes an unknown word with known words of the same type.

He bore himself with the condescending, self-righteous, and supercilious air of a child who has willfully abandoned belief in the Easter Bunny.

(Since supercilious is in a series with condescending and self-righteous, it must mean believing oneself to be superior to others.)

Examples provide specific instances of general ideas.

Doctor Grant pointed to a chart of theropods, ranging from T-rexes to sparrows.

(T-rexes were large, carnivorous dinosaurs on two legs, and sparrows are small birds on two legs, so theropods must be a wide classification of two-legged animals that spans dinosaurs and modern birds.)

Synonyms have the same meaning as the unfamiliar word.

Rudy knew his opinions often caused his friends offense or even umbrage, but he voiced them anyway.

(Umbrage must mean "strong offense.")

Antonyms have the opposite meaning as an unfamiliar word.

This would not be conventional war, with two well-trained armies on a gridiron approved by the Geneva Convention; this would be asymmetric war between an army and secret foes with improvised explosives on city streets.

(As the opposite of "conventional war," asymmetric war must mean "a regular army fighting guerillas.")

Tone reveals the writer’s thoughts about a word.

As much as his dinners delighted him, he savored even more his routine repose on the couch afterward.

(The words delighted and savored show pleasure, so repose on the couch must mean a "pleasurable rest.")

By Anonymous (not verified), 12 March, 2026

Revising Character Analyses

After you have completed a first draft of your analysis, set it aside awhile. Once you get some distance from it, you'll be able to more objectively make improvements. Start by focusing on the large-scale issues: the ideas and organization in your writing. The following activities will help you.

Revising to Connect Characters to Themes

An effective character analysis should show how the words and actions of the characters demonstrate larger themes. Often themes express life lessons, social or cultural realities, or moral dilemmas. Answering questions about the literature can help you identify themes:

  1. Why is this character so interesting?

    George Wilson is interesting because he seems so powerless all the way through but does the one action that changes everything.

  2. What is the most critical moment for this character?

    After his wife is killed by Gatsby's car, Wilson shoots Gatsby in his pool.

  3. If this character could do one thing over, what would it be?

    Wilson would not let his wife go with Tom Buchanan, which would save her life and Gatsby's as well.

  4. What emotion best defines this character?

    Wilson goes through a number of emotions, from blissful ignorance to growing suspicion, then grief and desperation, and finally fury. He feels that he has been wronged and will work to right it.

  5. What does this character's life say about life in general?

    Rich, powerful people often take away the little that poor, powerless people have. However, if the rich ignore this injustice, the poor often rise up to take revenge.

Discover themes.

Answer the following questions about the character(s) you analyzed. After you have answers, consider what thematic connections you might add to your first draft.

By Anonymous (not verified), 12 March, 2026

Writing a Character Analysis

After you've gathered many pieces of evidence and written a working thesis statement about your character, you are ready to create the first draft of your analysis. Start by writing a compelling lead sentence and using it to introduce a beginning paragraph. Or you can develop the middle paragraphs first and return to write the beginning and ending. If you need inspiration along the way, look at the end of this lesson to find another student's character analysis based on Wilson from The Great Gatsby.

Writing the Beginning Paragraph

Start your essay with a lead that gets readers' attention and orients them to the piece of literature you will analyze. After your lead sentence, you will develop a paragraph that ends with your thesis statement.

Write a lead sentence.

Try out at least two of these strategies for introducing the topic of your analysis. Read the examples for ideas.

  1. Name the work and author and summarize its importance.

    Cry, the Beloved Country by Alan Paton unflinchingly portrays the deep societal divisions in 1948 South Africa, divisions that would lead to apartheid.

  2. Ask a compelling question about the work.

    Why do most people consider The Great Gatsby by F. Scott Fitzgerald to be the quintessential "Great American Novel?"

  3. Provide a powerful quotation from the author.

    “Show me a hero and I’ll write you a tragedy.”
    —F. Scott Fitzgerald

  4. Share a historical reference that provides a context for the work.

    Nelson Mandela spent his youth as a political dissident, his middle age as a political prisoner, and his old age as president of a post-apartheid South Africa.

Write your beginning paragraph.

Start with your lead, and then provide background and develop a paragraph leading to your thesis statement.

By Anonymous (not verified), 12 March, 2026

Prewriting for Character Analyses

Did you ever sit down and stare at a blank screen and think, "I have no idea what to write about"? Prewriting helps you know what to write about. During prewriting, you gather ideas, think, plan, outline, scribble, and do whatever else you need to do so that you do know what to write about. These activities will help you fill that blank screen.

By Anonymous (not verified), 12 March, 2026

Reading a Character Analysis

Before you begin your own character analysis, you should read a paper created by another student. As you read, note how the writer describes characters, explores themes, cites evidence from the literature, connects to the larger context, and combines the whole with transitions. Click on the side notes to study these features.

Reading a Student Model

This reading analyzes multiple characters from Cry, the Beloved Country, showing how they help express the main themes of the work. The overall structure includes a beginning paragraph, multiple body paragraphs, and an ending paragraph. The writer uses source citations as well as historical context and discussions of theme to show the significance of the characters in the novel.

Listen to "Cry, the Beloved Country"

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Sample Character Analysis