Editing for Subject-Verb Agreement

When you write using the literary present tense, you need to make sure that subjects and verbs agree in number (singular or plural). Note these other tips for ensuring subject-verb agreement.

A singular subject needs a singular verb, and a plural subject needs a plural verb.

Two or more subjects joined by and are always plural.

When two or more subjects are joined by or or nor, the verb should agree with the last subject.

Collective nouns treated as one thing are singular; those treated as a group of individuals are plural.

When words come between the subject and verb, make sure to match the true subject.

Revising to Use Literary Present Tense

Sometimes you might struggle with the tense of verbs in a literary analysis. Do you say, "Richard Adams lived in Whitchurch, England" or "Richard Adams lives in Whitchurch, England," (when he is deceased)? Do you say "Richard Adams combined anthropomorphic fiction with naturalism" or "Richard Adams combines anthropomorphic fiction with naturalism"? And if you are in present tense for your main text, how do you handle quotations in past tense?

When you write a literature review, you should use literary present tense. This style of writing treats the piece of literature as something new and fresh whenever it is read rather than being something stuck in the past. Follow these rules to write effectively in the literary present tense:

When speaking about the work and the events in it, use the present tense.

When referring to historical events in the author's life or in the world at the time, use the past tense.

Keep the tense of quotations even if they do not match the surrounding text.

Writing the Beginning Paragraph

Start your essay with a lead that gets readers' attention and orients them to the piece of literature you will analyze. After your lead sentence, you will develop a paragraph that ends with your thesis statement.

1. Name the work and author and summarize its importance.

Watership Down by Richard Adams is a story about rabbits, but it's also about refugees and vision quests and the making of great leaders.

2. Quote a review of the literature.

“Once snared, you'll be gripped uncompromisingly by a master teller of tales. And chances are you'll not recall nobler heroes than the rabbits seeking happiness on Watership Down.”
—The Atlanta Constitution

3. Provide an engaging fact.

Humans domesticated dogs tens of thousands of years ago, when we were still hunters and gatherers.

4. Ask an interesting question.

Have you ever seen a sleeping dog snuff and snort, legs scrabbling sideways on the floor, twitching in some dream of the hunt?

Writing the Middle Paragraphs

Prewriting to Select a Work

You may already know what story or novel you want to write about. If not, answering a set of questions can give you some options:

Reading a Literary Analysis

Before you begin your own literary analysis, you should read a paper created by another student. As you read, note how the writer describes the key events in the life of an important character and connects the events to larger themes. He also paraphrases and quotes from the novel. Click on the side notes to study these and other features.

Reading a Student Model

This reading analyzes the character arc of Hazel from Watership Down, showing how his decisions, actions, and sacrifices slowly transform him into a leader. The overall structure includes a beginning paragraph, multiple body paragraphs, and an ending paragraph. The writer uses source citations as well as historical context and discussions of theme to show the significance of Hazel's transformation in the novel.

Warm-Up for Analyzing Literature

You arrive at the lunch table only to discover that your friends are chattering excitedly about something that happened in class. You, of course, want "the full story": Who was involved? What happened? Where and when? Why did it happen? How?

Every story, whether told around the lunch table or written in a work of literature, contains those basic elements:

Editing to Correct Pronoun Usage

A pronoun is a word that stands in the place of a noun or another pronoun (its antecedent). The most familiar pronouns are I, me, my; we, us, our, ours; you, your, yours; he, she, it, they, their, theirs. A pronoun needs to agree with its antecedent. That means both need to have the same person (first, second, or third), the same number (singular or plural), and the same gender (masculine, feminine, neuter, or indeterminate).

Sometimes a singular pronoun replaces a word such as anybody, anyone, everybody, everyone, nobody, no one, somebody, or someone. Notice how these words are third person, singular, and indeterminate, but English has no such personal pronoun to replace it.

You can fix the problem by using alternate pronouns (her or his) or rewriting the sentence to avoid the problem.

Most pronouns change form to create possessives. A personal pronoun with an apostrophe s is a contraction, not a possessive. Make sure to use the correct form.

Revising to Avoid Logical Fallacies

From the first Greek philosophers to today, thinkers have been on the lookout for specific flaws in reasoning—logical fallacies. These errors crop up constantly in advertising, political debates, and lunchroom discussions. You should learn to recognize the following forms of fuzzy logic in the thinking of others and eliminate them from your own thinking.

Logical Fallacies

Writing the Beginning Paragraph

The beginning first needs to grab the reader's attention. Then it introduces the topic and provides background leading up to your position statement. To get started with your beginning paragraph, you can experiment with different lead-writing strategies.

1. Ask a provocative question.

   What if Waterford had more dining options, including exotic foods from Africa, the South Pacific, and the Middle East?

2. Provide a fascinating quotation.

   “If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.” 
   ― Ernest Hemingway, A Moveable Feast

3. Provide a surprising fact.

   Food trucks have evolved from ice cream and hot dogs to Kobe steaks and calamari.

4. Directly address the issue.

   Most people would agree that special interest lobbies meant to restrict competition result in unfair laws—except when the topic is "food trucks."

Writing the Middle Paragraphs

Prewriting to Consider Controversies

In the warm-up to this unit, you thought about three different types of controversial positions: opinions, proposals, and hypotheses. You thought about controversies you encountered among friends, family, and teachers. In search of a topic for your argument essay, you should also consider controversies farther afield.

One student thought about the following controversial positions that he encountered at school, read about in local and national newspapers, and discovered on Google News.

Controversies

Write down one controversial position that interests you:

I'm interested in the food-truck controversy. People at school are talking about it, and the local paper had a long article about a city council meeting where the topic blew up.

What reasons do people give to support this position?

Young people want food trucks for new, affordable food options. Restaurants don't want them because of competition and parking.

Do you agree or disagree with this position? What reasons do you have?

I don't know my position yet. I like the idea of more options for eating and attracting more people to our city, but I also see the point of restaurant owners who have a big investment here. I'll have to do further research to make up my mind.